monsters in america sparknotes

summary of monstrous beginnings.docx - |1 Aayush Gada WRTG Scott Poole's Monsters in America Examines Our Fears - Dread Central Name: Kim Hoan Tran Dr. Che 07/08/2019 Summary Paper Summary of Monstrous Beginning In Monster in America written by W. Scott Poole, especially the chapter called "Monstrous Beginnings". For me, there are intertwined. The jail guards come in, and everyone lines up against the wall while they get rubber-gloved. Suppose someone wanted to trace American history through the common coffee cup. We are sorry. Satan in America: The Devil We Know by W. Scott Poole - Goodreads Sex and violence are the recurring themes of the book, but Poole always provides context for why they recur so often. (The medical examiners evidence suggests that the shooter was probably right-handed.) Emily Dickinson Poems Seven of our Favorites! Consulting newspaper accounts, archival materials, personal papers, comic books, films, and oral histories, Poole adroitly illustrates how the creation of the monstrous "other" not only reflects society's fears but shapes actual historical behavior and becomes a cultural reminder of inhuman acts. It is lively and engaging and well researched. That's What She Read by No historically reflective Christian would disagree with Pooles castigation of wrongdoings by some Americans. Not only that, but Sandra Petrocelli, the State prosecutor, is a very good lawyer. Free trial is available to new customers only. Monster: Study Guide | SparkNotes If you will, a shining city on hill built on the bodies of natives, blacks, women, and anyone else we dont like very much. Its a story that begins with the history of the dark lady of late night horror and branches out into a discussion of the Beats, Bebop Jazz, the birth of rock and roll and the social protest movements of the 1960s. Please try again. Not only is it written in a fun, easy to relate to voice, but it is also chock full of info. Fifteen Important Theology Books of 2022!!! Thanks for creating a SparkNotes account! Imprint: Baylor University Press. Call me crazy, but I don't think a historian's role ought to be the reaffirmation of modern feelings of superiority over everyone else who has ever lived. on 2-49 accounts, Save 30% This exciting work blends the study of horror films, comic books, religious texts and newspaper accounts of "satanic panics" into a highly readable analysis of the concept of the devil in American cultural history. I feel like the author did a great job at deconstructing America's social issues and how they connect to the monsters/fears/entertainment of the time. I found it to be a perfect model for critical thinking about the social representations of various popular monsters, and the book led to wonderful class discussions. In "Monstrous beginnings," the introductory chapter of "Monsters in America: Our Historical, Obsession with the Hideous and the Haunting" by W. Scott Poole, the author makes an argument, about how monsters were not only used as entertainment, but were also used as an excuse to, justify the offenses done to the Native Americans as well as the slaves brought from Africa by, the European settlers. Christopher Columbus came to the Americas searching for gold, slaves, and monsters. to start your free trial of SparkNotes Plus. Here we not only meet such monsters but also discover America's cultural monstrosity. But then, I dislike any historical book that loses its sense of historical relativity as well as any book about phenomena that automatically assumes a phenomenon is false and therefore ripe for being disproved and easily rationalized away. $18.74/subscription + tax, Save 25% I hated this book. Monster is a 1999 young adult novel by Walter Dean Myers. Renew your subscription to regain access to all of our exclusive, ad-free study tools. He tells his story through handwritten notes and a typewritten screenplay. Written in an accessible, smart and entertaining way, this is a fantastic book. by Michelle | Nov 30, 2011 | Books Read in 2011, P Author | 0 comments, Title: Monsters in America: Our Historical Obsession with the Hideous and the Haunting, Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. I loved this book. If you view everything that has happened in the last ten thousand years as an atrocity committed by (American) White Anglo-Saxon Protestant men against the wide-eyed, helpless, innocent (and rather stupid) non-male/non-white world in a concerted race (or gender where convenient) war and stolidly ignore all contrary evidence, the world is full of monsters. Evans states that King was his partner in the robbery and that Steve served as the lookout. Wendell Berry Poems Seven of Our Favorites! Monsters in America is lively and entertaining throughout. wish it felt more american- some of the trends were too broad, and I wish thered been more emphasis on early America (e.g. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. on me, relax. Enter your email address to subscribe to That's What She Read and receive notifications of new posts by email. The Best C.S. The two defense counsels, OBrien and Briggs, establish that the witnesses are testifying for the State in return for reduced sentences. American Monsters: A History of Monster Lore, Legends, and Sightings in Component 2: Summary. In the follow-up to his first book, Satan in America, Poole has now turned his attention to the monsters that inhabit American cinema and American imaginations. In this way he resembles Frankenstein, who alienates himself by pursuing forbidden knowledge. What I discovered is that Poole should have written two books: his perspective on American history, another on monsters. Contact us This website uses cookies to ensure you get the best experience on our website. Poole stays far away from polemic and sticks to the facts. Monsters in America - Baylor University Press The history of America -- one fear, one monster, at a time. Poole summarizes, Perhaps our own beliefs about monsters and their intractable nature help to produce the monsters we fear the most (164). Salem witches, frontier wilderness beasts, freak show oddities, alien invasions, Freddie Krueger. Discount, Discount Code Free trial is available to new customers only. Frankenstein (1931) happens when somebody tries to make a more perfect human. In Monsters in America, Scott Poole expertly weaves together folklore, media studies, and some of the more disturbing moments in American history to remind us of the vital roles monsters play in our culture. In his new preface and expanded conclusion, Pooles tale connects to the presentillustrating the relationship between current social movements and their historical antecedents. But he also shows that the monstrous can be sympathetic, that it can also be used by the oppressed to speak back to the mainstream. She tells the jury that James King and Steve Harmon, along with two other criminals, robbed a drugstore. America, like all nations, is made up of monstrous human beings. Bolden testifies that he bought cigarettes from Bobo Evans and that Evans told him about the robbery. Poole walks readers through the American history of monsters, matching horror trends to American epochs, where it turns out our sociopolitical climate influences the monsters we laud and follow in fiction, film, and the media. Both belief about the supernatural and the supernatural itself creates creatures which slither into our thinking-being-behaving. Save over 50% with a SparkNotes PLUS Annual Plan! A.Slavery B.States' rights C.Internal improvements D.Westward expansion. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. In fact, perhaps our own beliefs about monsters and their intractable nature help to produce the monsters we fear the most., I've had a question for a long time. In 2016, he wrote the Bram Stoker Finalist _In the Mountains of Madness: The Life and Extraordinary Afterlife of H.P. For the next 7 days, you'll have access to awesome PLUS stuff like AP English test prep, No Fear Shakespeare translations and audio, a note-taking tool, personalized dashboard, & much more! Monster is a 1999 young adult novel by Walter Dean Myers. Members will be prompted to log in or create an account to redeem their group membership. Monster was adapted into a movie of the same name in 2018. Poole's examples are well-chosen and well-explicated. Alien invasions prompt the authors apt comment, The otherness of the monster can embody the sum of all fears but also an escape from fear (131). He wonders what OBrien saw. I. Poole is also a Professor of History at the College of Charleston where he teaches courses on monsters in American history, Satan in folk belief and pop culture and the history of religion and race in American life . I was thrilled to find a book that went with that mindset. I feel like three stars is generous for a book that did not bring me any new insights, but it was neither especially good nor especially bad. I suppose history could be read into just about any object. Social commentary may drive sub-text but money drives the movie. Another problem for Steve is that James King, a young Black hood, is Steves co-defendant. serial killers, each generation faced its own challenges and highlighted its fear within its own monsters. In her closing argument for the State, Petrocelli stresses the importance of the stolen cigarettes in proving who committed the crime. From 19th century sea serpents to our current Publishers Weekly session with vampires and zombies, Poole plots America's past through its fears in this intriguing sociocultural history. We're sorry, SparkNotes Plus isn't available in your country. Hafez Poems Five of Our Favorites from the Divan of Hafez, N.T. (254) 710-3164. Buy now: [ Amazon ] [ Kindle ]. The book's unusual range is one of its contributions; its freshness of juxtaposition is another. Poole's examples are well-chosen and well-explicated. Hardback: Baylor University Press, 2011. Read the chapter-by-chapter Summary & Analysis, a Full Book Summary, or Full Book Analysis of Monster. FREE Shipping on orders over $25.00 shipped by Amazon. Monsters and American History W. Scott Poole offers many unique explanations for the creation and story telling of monsters in his essayMonsters in America.Poole examines the cultural history of the monster and how it intersects with American history. From Victorian-era mad scientists to modern-day serial killers, new monsters appear as American society evolves, paralleling fluctuating challenges to the cultural status quo. White Doe" disguised the true relationship between the European settlers and Native Americans. These summaries should not exceed one page in length. I suppose history could be read into just about any object. From our colonial past to the present, the monster in all its various forms has been a staple of American culture. While some may believe that there was no conflict between the settlers and the natives, and that, they just coexisted peacefully. Our main man wonders how anyone can get used to the slammer. Starting with the Puritan era and the fear of witches and ending with the modern-day fascination with the monsters within us, i.e. You'll also receive an email with the link. Just watch any local news program and you'll see what I mean. Historian W. Scott Poole distinguishes himself by focusing on the American context, providing a history told through the personified expressions of our anxieties and fears. $18.74/subscription + tax, Save 25% Excellent study of the machinery of monsters and their meaning in American history. This proven textbook also studies the social location of contemporary horror films, exploring, for example, how Get Out emerged from the context of the Black Lives Matter movement. Monsters are not just fears of the individual psyche, historian Scott Poole explains, but are concoctions of the public imagination, reactions to cultural influences, social change, and historical events. But honestly, most folks go to horror films for what they would say is the hell of it. Some people enjoy being scared, period. It was just way too "all over the place" for me. Monsters in America (2nd ed.) by W. Scott Poole (ebook) - eBooks.com An excellent history of the American obsession with monsters, Poole analyzes our religious and nationalist beliefs to see how we have dealt with the Other in our long, horrifying existence as a nation. He is also the author of _Monsters in America_ from Baylor University Press (2011)._Monsters_ explores the American fascination with vampires, zombies, serial killers and even sea serpents, showing how these creatures of our dark obsessions help us to understand the dark and foreboding places in American history. (And as someone who lives with a history PhD and who briefly pursued graduate studies in history myself, I like to believe that I know from whence I speak.) Petrocelli also calls an eyewitness, Mrs. Lorelle Henry, to the stand. Probably more 3.5 stars. Pooles bibliography is an additional treat as it includes many excellent books for further reading or study - "1973 Nervous Breakdown: Watergate, Warhol, and the Birth of Post-Sixties America" and "Sacred Terror: Religion and Horror on the Silver Screen" were two titles that jumped out at me thats so full that one could even write their own treatment on the subject. You may cancel your subscription on your Subscription and Billing page or contact Customer Support at [email protected]. In his comments on the 1931 "Frankenstein" W. Scott Poole, relates that the idea of the "abnormal brain" that Fritz grabs for Henry Frankenstein being the cause of the monster's murderous mentality being a reflection of the "scientific rascism" of the day. Some of his writings can be accessed at www.warpandwoof.org. While real monsters do exist, the reality of our own monstrosities mirrors not a national heritage as much as our human heritage. Unless specifically stated in the review, I have purchased all books reviewed. Use up and down arrows to review and enter to select. Monsters in America argues that historical, political and social conditions produce narratives of horror and create "monsters." Choose one of the following periods 1.) Monsters in America has without a doubt earned a spot on my favorite books of 2011. Steve is about to stand trial for felony homicide. Subscribe now. Best Johnny Cash Books Biographies and More! Poole has set the bar ridiculously high for any future research exploring the locus of historical and cultural studies, particularly as it pertains to the horrific. challenges, enlightens, and, quite honestly, frightens in its prescient view of American history, as well as the seeming ubiquity of the monsters of our past and probable future. Foregrounding the racism and injustice of the legal system, the novel is a crime story, a courtroom drama, and an account of a young teens search for identity. You can view our. This isnt a book for the squeamish as Poole details how a horror film like Candyman is based in fact to a great deal. The author explores American History and how people's fears and reactions to changes in society both affected and were affected by monsters in print and film. A monster, in most cases, is something that challenges human morality or customs, or rather, a single group of people's moralities. I was pretty fascinated through this whole book. Monsters in America: Our Historical Obsession with the Hideous and the Monster's In America Flashcards | Quizlet This book is a wonderful introduction to American history through the lens of monsters. From 19th century sea serpents to our current. Poole wants to tell a story and take his readers on a journey, and he definitely does so. Our Historical Obsession with the Hideous and the Haunting. Poole's book is fantastic, a terrific look at what makes monsters in film resonate in American culture. Monster presents through the obvious things, for example, krakens or werewolves. I thought this was gonna be about different monsters from American folklore. Jacques Ellul Books An Introductory Reading Guide. Not only do they continue to live in our midst, but, as historian Scott Poole shows, these monsters are an important part of our pasta hideous obsession America cannot seem to escape. Regardless of the gruesome event, whether it's the Salem Witch Trials back in the 1600s or 9/11 just 10 years ago, one thing remains constant: Americans are obsessed with them. Before you get all "He's Anti-American!" I often use this in my Freshman Writing courses to show that writing doesn't have to be boring.

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